Introduction -- An introduction to the crisis of spirit : technology and the Fichtean imagination -- Technology and truth : representation and the problem of the third term -- Spirit and the technology of the letter -- The spatial imagination : affect, image, and the critique of representational consciousness -- Subtle matter and the ground of intersubjectivity -- The aesthetic of influence -- The first displacement : from subjectivity to being -- The second displacement : from a metaphysical to a (...) technological imagination. (shrink)

At last scholars are recognizing that the great generative architectonics of idealism’s account of self-consciousness would demand or imply, from a genealogical perspective, an unconscious. Yet, between Foucaultian inspired analyses of madness in Hegel, and Slavoj Zizek’s Lacanian readings of the unconscious in the work of F. W. J. Schelling, there has been essentially no mention of J. G. Fichte. As an attempt to redress this failure, I will begin to sketch Fichte’s own unique articulation of an unconscious (Unbewusst) by (...) highlighting three unique aspects or perspectives: (a) the idea of a pre-conscious, self-affective self; (b) the notion of the self-seeing eye; and (c) his own first hand involvement with dynamic psychiatry’s phenomena of magnetic rapport. This exposition of the unconscious in Fichte has two distinct ends. First, it stands as one of the first sustained expositions of the unconscious in the work of Fichte. This analysis which places Fichte’s work in the broader genealogy of dynamic psychiatry, however, also stands as a critique of the Freudian psychoanalytic model of the unconscious. (shrink)

In his Ethics, Spinoza maintains that God’s essence is expressed as both thought and extension. Despite this claim, however, Spinoza’s very definition of truth, understood as adequation, would seem to reduce the aspect of extension to an exclusively intellectual paradigm. I question the extent to which a body remains a body throughout the Ethics in the transition from the first knowledge of the imagination to the highest know ledge of adequate ideas. As a way to think beyond the totality of (...) adequation, I tum to Emmanuel Levinas’s distinction between totality and infinity. I reference Levinas in order to highlight certain impasses within Spinoza’s system and to serve as a possible alternative articulation of an extensional love of God. (shrink)

Interpretation always takes place in the present tense. It is worth reminding ourselves of this, because few philosophical texts or treatises have suffered the rise and fall of the vagaries of their own contemporary Weltanschauung as Fichte's Addresses to the German Nation. Few texts in history have been simultaneously so overestimated and underestimated in their impact and importance as Fichte's Addresses; and therefore few texts can be said to be so misunderstood—and so need in of reassessment. This collection, Fichte's Addresses (...) to the German Nation Reconsidered, edited by Daniel Breazeale and Tom Rockmore, precisely seeks to fill this lacuna. The interpretative fate of the Addresses has always hinged on the... (shrink)

This paper uses Maurice Blanchot’s image of the corpse as a trope by which to offer a unique quasi-material reading of the German Idealist notion of speculative suicide. And its method of interpretative retrieval, like these idealists, works to think the relevance of idealism today by affirming the spirit against the letter. The paradox of suicide—that we aspire to be witness to our own death—presents itself as a double, as interpreted in works of Fichte and Schelling. This double, the very (...) core of speculative aspiration, is essentially a temporal other whose prosthetic character suggests that the speculative power of spirit is simultaneously technological, and that the limit-condition of suicide be found not in an ethereal speculative unity but rather in the intractable materiality of our own corporeal remains. (shrink)

This book offers a radically new interpretation of the entire philosophy of J. G. Fichte by showing the impact of nineteenth-century psychological techniques and technologies on the formation of his theory of the imagination—the very centerpiece of his philosophical system. By situating Fichte’s philosophy within the context of nineteenth-century German science and culture, the book establishes a new genealogy, one that shows the extent to which German idealism’s transcendental account of the social remains dependent upon the scientific origins of psychoanalysis (...) in the material techniques of Mesmerism. The book makes it clear that the rational, transcendental account of spirit, imagination, and the social has its source in the psychological phenomena of affective rapport. Specifically, the imagination undergoes a double displacement in which it is ultimately subject to external influence, the influence of a material technique, or, in short, a technology. (shrink)

Fichte’s project has much to offer contemporary continental philosophy and Laruelle’s project is an inspiring example of the continuing creative power and possibility latent in Fichte’s work. In a well-known ad hominem flourish, Fichte famously asserts that the choice between founding foundational philosophical first principles, between freedom and dogmatism (idealism and realism), cannot itself, in turn, be justified by philosophy alone. Yet what if the philosophical decision itself, the decision of and for philosophy is itself an ad hominem choice that, (...) as Laruelle contends, is little more than a narcissistic game? Indeed, Laruelle radicalizes such stakes by suggesting it is not merely the dogmatism of realism that is the problem, but that all philosophy is a narcissistic dogmatism. And it is this very decision for philosophy that remains our oldest dogmatic prejudice. (shrink)

By offering an original reading of J. G. Fichte's central philosophic work, The Science of Knowledge , through the prism of his much over looked "Journal of Animal Magnetism" this dissertation situates Fichte's later metaphysics of the image within the concerns of contemporary media theory. It does so by taking seriously the political consequences of the historical transformation of the faculty of imagination in age of materialism. Such a reading is made possible by approaching German Idealism through the critical apparatus (...) of 20th century Continental Philosophy . ;In the 19th century, Post-Kantian idealism's designation of the imagination as a faculty was called into question. For instance, with the appearance of Mesmerism and the rise of magnetic psychology, the very validity of the transcendental subject was rendered suspect. The subject's imagination was shown to be transparent to external influence. In his own search for a physical instantiation of idealism Fichte realized that the imagination and its power of imaging was no longer limited to the transcendental subject, but was shown to be a function of material technique. Such a transformation would have far reaching political consequences. Specifically, if Fichte articulated spirit---which defined social wholeness---in terms of the imagination, then the appropriation of the imagination by technological materialism demanded a fundamental rethinking of the communicative ground of the social. (shrink)